The teaser of the upcoming film ASSI, featuring Taapsee Pannu in the lead role, was unveiled on Monday at Cinepolis in BSR Mall, Chennai. The launch was followed by an interactive media session with actors Revathi and Kani Kusruti, attended by several members of the press and film media.
Speaking about the film’s title, Revathi explained that ASSI symbolises the number 80, drawing attention to a harsh social reality. She noted that nearly 80 cases of sexual assault are registered through FIRs across India every single day. “This is not an issue that can be treated casually or ignored,” she said, stressing the urgency of addressing the problem.
Directed by Anubhav Sinha, known for socially driven films based on real-life issues, ASSI is presented as an investigative courtroom drama infused with deep emotional layers. Comparing the film’s theme to Sinha’s earlier work Thappad, Revathi highlighted how violence against women is often normalised in society. “Just as physical abuse is trivialised, sexual violence is also frequently brushed aside. That mindset needs to change,” she remarked.
Describing ASSI as an “urgent-to-watch” film, Revathi said the narrative sustains a strong investigative rhythm throughout, combining elements of journalism, legal proceedings, and human emotion. “This is a film that demands immediate attention from audiences,” she added.
Actor Kani Kusruti echoed Revathi’s views, calling the film extremely relevant. She said the story sheds light on the survivor’s experience, the challenges of filing a complaint, and the prolonged struggle for justice. According to her, films like ASSI encourage viewers to reflect deeply and question how society can work together to create safer spaces.
Addressing the persistent issue of delayed justice, Revathi pointed out that despite existing laws, implementation remains weak and awareness is limited. “Cases often take years to reach closure, and that prolonged wait only deepens the trauma for survivors,” she said. The film, she explained, explores the bravery of survivors, the pain endured by families, gaps within the legal system, and the larger question of whether justice can extend beyond documentary evidence.
Responding to questions on sensationalised media coverage, Revathi observed that the film truly begins once it ends. “After the screening, the audience is compelled to reflect on what is happening around them and what role they can play,” she said.
She also firmly rejected narratives that place blame on victims. “A woman’s clothing is never the issue. She should feel safe in whatever she chooses to wear—whether it’s a sari or a bikini,” Revathi stated.
Concluding the interaction, Revathi noted that ASSI stands apart from earlier films on similar themes by examining every dimension of such cases—from the incident itself to the response of family, friends, media, society, and the legal system—before reaching a verdict. “These are issues that demand action, not just conversations. Change is necessary,” she said.
